True Grit, the Coen Brothers Take on the Western Movie Genre

With “True Grit”, the Coen’s have again dominated the movie screen. Breaking into the western genre, one that is avoided by all but the boldest movie makers, the Coen brothers have demonstrated their brilliance in their technique and their ability to dominate any motion picture genre. The Western movie genre has all but died a lonely death for my generation. I have paid for two western movies in my life; the first being the “Apple Dumpling Gang”, and honestly, my mother paid the admission that day. And second, Kevin Costner’s epic “Dance with Wolves”, a movie that still enthralls me to this day. With “True Grit”, I can now add a third to that list, and hold my head high.

I cannot converse about the Charles Portis book “True Grit” written in 1968, having never read it, nor can I speak of the John Wayne’s version of “True Grit” released in 1969, having never watched more than five minutes of it. Honestly, I never found myself a fan of the Duke, although, strangely, I can remember the day that he died, where I was, and what I was doing that unholy day the newscast was made. What I can speak for is the Coen’s remake of “True Grit” and their unique spin of an old tale. In order to enjoy this classic for free, you can get catmouse apk where you can download this app as you stream this movie in HD quality.

Crafted with Coens unique take on character development, the viewers are introduced to the three primary characters: Matty, the crafty, headstrong girl looking to avenge her father’s death. Determined to keep the posse together for the sole purpose of bringing her father’s murderer to trial, Matty finds herself a little girl in a very tough man’s world, post Civil War. Rooster Cogburn, played by Jeff Bridges, in perhaps his finest spin on a character, just might possibly receive an Oscar nomination for the drunken, morally challenged, gun-slinging U.S. Marshall who prefers to shoot first and then shoot again. And, Texas Ranger Lebouf, played by Matt Damon, in a non-angry role who excels in this character piece who deviates from Texas Ranger honor to overt sexual innuendos to the 14-year-old Matty.

The Coens seem to favor these trio orientated character movies. Think, “Oh Brother Where Art Thou?”, and “No Country for Old Men”. Movies with three primary characters, as opposed to the ever universal two-character movies favored by other director’s, each and every character displaying a unique point of study while vying for the attentions of the audience through specific character development.

The Coens spend inordinate time developing the characters to the viewers through extensive dialogue and banter between the trio, often humorous, although the dialogue is difficult to understand through Bridge’s character’s guttural speak. The three characters are engaged in a classic power struggle, each representing one of the specific human emotions of revenge, greed, or honor. The three emotions and their opposing individuality create a unique hopelessness within the story that is explored and expanded through the use of the sub-characters.

The “True Grit” sub-characters are most distinctive, again, following a Coen practice of a truly character immersive movie experience. The sub-character’s development within a Coen movie creates a unique and most remarkable movie experience that has evolved as one of their exceptional trademarks. Why spend the time to do this? Only the Coen’s can answer this question, although each character offers little to the movie tale, their unique development and introduction adds a distinctive flavor to the movie as a spice would to a recipe.

For the Coen fans, you will not be disappointed in “True Grit”. The brothers have succeeded in delivering another exceptional tale, delivered with sufficient humor, action, and twist to make the most ardent movie Coen devotees a fan of this movie. For those who are not familiar with the Coens, you will not be disappointed, and instead may find yourself Netflixing other Coen movies to add to your movie repertoire.